Community: went to Warren Mather's talk at Lacoste Gallery yesterday. Warren's work speaks to the beauty of the ephemeral. He shoots images of water (lakes, streams, ocean) and presents them in ways that speak to the personal. Moonlight on river becomes a gorgeous calligraphic line. Raindrops on snow becomes a broadside of bulletholes. Seagrass in front of the sea becomes abstracted into a hairy hole. Snowman in a field becomes a brainscan searching for tumors. Warren uses fisheye lenses, symmetrical printing, and a glazed ceramic surface to create objects that entice the eye and invite deep observation. In addition, Warren is such a kind and nice man - it is such a pleasure to talk to him about his work.
Studio: I've continued working on gridding my pieces. I like that it allows me to explore pattern, symmetry, historic fabric like the harlequin, architecture like IM Pei, mathematical graphs, weather maps, etc. The work has progressed in a way that recalls what I wrote about Spanish architecture. I like trying to fit the contemporary with the classical, like an old city. Here's a couple images of some greenware:
